Neg No: F.003949/41 Museum of New Zealand Te Papa Tongarewa
Magimagi (unprocessed coconut fibre), date unknown
maker unknown, Suva, Fiji


In Fiji, the fibre of the coconut husk is made into magimagi. This can be very coarse like rope or extremely fine like string.

Made only by men, before the advent of synthetic string magimagi was the most common material used for fastening, lashing and wrapping. Magimagi was particularly useful in the building and maintenance of sea-going canoes which had lashings - the ropes used to fasten the canoe - that had to be regularly maintained. Magimagi was also used to form the webbing in fishing nets - being woven in varying strengths depending on what the net was made to catch.

Like tivaevae in the Cook Islands, magimagi has a spiritual and cultural significance as well as a practical use. In some parts of Fiji, huge rolls of magimagi, called kava, used to play a very important role in the ceremonies which ended the period of mourning for a high chief.

In memory of their dead leader, local men braided giant rolls of magimagi that stood as high as 2 metres. This was meant to represent the body of the departed chief. The roll or 'body' was always crowned by a second tubular roll which functioned as a head - before it was presented at the ritual. Sometimes the kava, or magimagi 'chief', was 'clothed' with barkcloth.

The role of the kava was to stand in place of the dead chief at the presentation of gifts such as tabua, canoes and barkcloth made by other tribes - presenting these gifts signified the end of the mourning period.

The kilometres of braided cord of magimagi that was used in the roll - all in one long continuous string - may have been used previously to bind the timbers of the spirit house erected on the chief's grave. This unusual use of magimagi to represent dead chiefs may well precede the use of wooden ancestor images in spirit houses.

Magimagi is braided from long coconut husks, preferably those of the elongated niumagimagi coconut. The way the husks are prepared depends on the grade of cord required.

Often the husks are baked in a pit-oven, then soaked in water for several days before being separated by beating with an iSamu m magimagi (wooden mallet made from extremely dense nokonoko wood) upon a drata ni magimagi (anvil). The fibres are then dried in the sun before being braided into cord by men during long gossip sessions! In many areas the fibres are rolled on the thigh (the equivalent of spinning) before being plaited.

More information

The following publication may be found on the Discovery Centre bookshelves, or in Te Aka Matua Library and Information Centre on Level 4. Photographs of Te Papa collection items may also be ordered from Images, on Level 4.
  • Clunie, Fergus (1986). Yalo I Viti: a Fiji Museum catalogue. Fiji Museum: Suva, pp. 20-21, 145-146.